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Tip 1022: Avoid typing your personality with your voice. |
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If you were participating in a corporate skit, how would you play the part of a complainer? (Whiny, nasal voice?) How would you play the part of a crook? (Raspy, harsh tone?) How would you play the role of an incompetent nerd? (High-pitched, rapid, quivering voice?) How about the role of a sexy coquette? (Breathy, lilting, slow speech?) An impatient teen? (High-pitched, fast speech, full of emotion?) |
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All other things being equal, movie producers accept or reject actors based on how their appearance and voice match the characters they're to impersonate. You may be typed for life by the impression your voice creates. |
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Tip 1023: Lower your pitch to sound more authoritative and credible. |
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We generally use musical terms to categorize people's voices: soprano, alto, tenor, baritone, and bass. People with a high-pitched voice give the impression of being nervous, immature, lacking in confidence, or even slightly emotional and hysterical. People with low pitches sound confident and competent. |
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You can modify your own voice once you become aware of your pitch; voice coaches and self-help tapes and books tell you exactly how to effect and practice this change. If you want to make it to the board room, adopt the lower, hushed tones most often heard there. |
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Tip 1024: Speak at a slower rate to convey seriousness, authority, and thoughtful deliberation. |
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A slow rate of speech implies well-chosen words and underscores the import of the message. The pace gives a listener time to contemplate what's being said and attach the appropriate significance. |
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Tip 1025: Speak at a faster rate to convey excitement, enthusiasm, and energy. |
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A faster rate creates interest and demands attention. The pace makes listeners work hard at hearing and translating what's being said, but prevents opportunity for their minds to wander. They have to "listen up" to stay up. |
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